Free Glass Menagerie Essays: The Characters’ Weaknesses and Strengths :: Glass Menagerie essays

The Characters Weaknesses and Strengths in The methamphetamine hydrochloride menagerie   In an interview, Tennessee Williams once said, I involve always been more interested in creating a character that contains something crippled... They brace a sealed appearance of fragility, these neurotic people I write about, unless they ar really strong. In Tennessee Williams The Glass Menagerie, the dexteritys and failinges of the characters is the focus of the play.   in that location have been some(prenominal) critics who have raised interesting points concerning this subject. Critic Judith J. Thompson takes the emplacement that Amandas embodiment of The owing(p) Mother is blinded by her weakness of an unrealistic human beingness (p. 17). She states that Amandas character is make up of the Good Mother, the Terrible Mother, the seductive dickens-year-old witch, and the innocent new (Thompson 17). She supports her theory with the incident in which Amanda says that she had seventeen gentlemen callers in one day. Thompson goes on to say that the exaggeration of the number of Amandas beaux recalls fairy history and legends of romance in which the princess is beleaguered by suitors until the ideal knight or prince returns (17). Here, Thompson shows that Amandas weakness is living in a sort of dream world which overwhelms her intentions of being a bang-up Mother (Thompson 17).   A second critic, Joseph K. Davis, takes the military position that Lauras weakness overpowers her ability to be sensitive. Davis divides the dramatic excogitation of The Glass Menagerie into two parts. Part of the pattern is the dramatization of men and women by a give away of their fragmented, tortured psychologies (Davis 192). He states in his analysis of The Glass Menagerie His Toms babe Laura tries to go away in the present, but her crippled body and grim prospects in the secretarial shallow overcame her fragile sensibilities (194). Davis implies that, li ke Amanda, Lauras weakness consumes her ability to live in earthly concern and her sensibility, her one strength.   A third critic, Tom Scanlan takes the stance that Toms weakness is pass by his strength. Tom is easily entrapped and persuaded into situations that he whitethorn or may not want to be which weakens his character but his strength is greater than this weakness. The critic states that the reappearance of Tom as storyteller force the indorser back to the present (Scanlan 99). He shows the reader that Toms strength is the ability to stay in touch with reality.Free Glass Menagerie Essays The Characters Weaknesses and Strengths Glass Menagerie essays The Characters Weaknesses and Strengths in The Glass Menagerie   In an interview, Tennessee Williams once said, I have always been more interested in creating a character that contains something crippled... They have a certain appearance of fragility, these neurotic people I write about, but they are really stron g. In Tennessee Williams The Glass Menagerie, the strengths and weaknesses of the characters is the focus of the play.   There have been several critics who have raised interesting points concerning this subject. Critic Judith J. Thompson takes the stance that Amandas embodiment of The Great Mother is blinded by her weakness of an unrealistic world (p. 17). She states that Amandas character is made up of the Good Mother, the Terrible Mother, the seductive young witch, and the innocent virgin (Thompson 17). She supports her theory with the incident in which Amanda says that she had seventeen gentlemen callers in one day. Thompson goes on to say that the exaggeration of the number of Amandas beaux recalls fairy tale and legends of romance in which the princess is beleaguered by suitors until the ideal knight or prince returns (17). Here, Thompson shows that Amandas weakness is living in a sort of dream world which overwhelms her intentions of being a Great Mother (Thompson 17). & nbsp A second critic, Joseph K. Davis, takes the stance that Lauras weakness overpowers her ability to be sensitive. Davis divides the dramatic pattern of The Glass Menagerie into two parts. Part of the pattern is the dramatization of men and women by a display of their fragmented, tortured psychologies (Davis 192). He states in his analysis of The Glass Menagerie His Toms sister Laura tries to live in the present, but her crippled body and grim prospects in the secretarial school overcame her fragile sensibilities (194). Davis implies that, like Amanda, Lauras weakness consumes her ability to live in reality and her sensibility, her one strength.   A third critic, Tom Scanlan takes the stance that Toms weakness is overcome by his strength. Tom is easily entrapped and persuaded into situations that he may or may not want to be which weakens his character but his strength is greater than this weakness. The critic states that the reappearance of Tom as narrator force the reader b ack to the present (Scanlan 99). He shows the reader that Toms strength is the ability to keep in touch with reality.